Katya Tanya |top|: Dau.

(Kateryna Yuspina), a young librarian who maintains a romanticized view of love despite several disappointing affairs. The Relationship:

Where other DAU films often confront the viewer with raw, documentary-style horror or grand philosophical debates, Katya Tanya distinguishes itself through its use of formal cinematic techniques to craft a portrait of its protagonist’s inner world. The film is perhaps the least "boots-on-the-ground" of the DAU films to date, leaning instead on impressionistic shots and elliptical editing to create a strong, subjective view of Katya’s evolving mental and emotional state.

In the DAU universe, are not just characters; they are symbols of the collateral damage caused by genius and totalitarianism. Katya is the tragic victim of desire, while Tanya (Kora) is the survivor of institutional and marital oppression. Their stories form the emotional core of a project that is as fascinating as it is ethically disturbing.

The project is infamous for its "unsimulated" nature, involving real psychological pressure and physical intimacy between non-professional actors. DAU. Katya Tanya

[POV Shot] The camera zooms in on a monitor/screen where a blurred figure (the subject) is breathing heavily. Katya: "We need to reset the parameters." Tanya suddenly slams her hand on the table. Tanya: "No! We push further. We find the breaking point. That is the only way we get the truth."

The story spans a decade, following (Ekaterina Yuspina), a librarian at the Institute, through her search for genuine connection.

Watch it with company. Have a blanket ready. And remember: The scariest thing in the film is not the rage. It is the love. Because no matter how many times Katya spits in Tanya’s face, Tanya never leaves. And that, perhaps, is the true horror of the human condition. (Kateryna Yuspina), a young librarian who maintains a

Shot as part of an unprecedented social and behavioral simulation in Kharkiv, Ukraine, between 2008 and 2011, the film tells the story of a romantic and sexual relationship between a young institutional librarian and a journalist. It stands out within the male-dominated, heavily structured DAU project as a profound exploration of female subjectivity, intimacy, and the crushing weight of Soviet state surveillance. Narrative Overview: Love in the Shadows of the Institute

: Amidst the cold and often violent atmosphere of the Institute, Katya finds a rare sense of connection and understanding with Tanya (Tatyana Polozhiy), a journalist.

The performances by the lead actresses are stunning, bringing depth and nuance to their characters. The cinematography is equally impressive, capturing the bleak yet strangely beautiful landscapes of Soviet-era Ukraine. In the DAU universe, are not just characters;

Gritty, observational, psychologically intense. Use close third-person sections alternating between Katya’s sensory-rich, reflective voice and Tanya’s terse, controlled perspective to highlight contrast.

The storyline follows (played by Ekaterina Yuspina), a young librarian working inside a top-secret Soviet scientific research facility. Katya is a romantic idealist whose notions of love are repeatedly shattered by the emotionally vacant, transactional, and predatory behaviors of the men around her. Forms of Female Subjectivity in “DAU. Katya Tanya”