Prasannajit De Silva Site

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Dr. de Silva completed his doctorate at the University of Sussex in 2007. His doctoral research focused intensely on the art and visual culture of the British in India during the late 18th and early 19th centuries—a period of immense administrative, geopolitical, and cultural transition for the East India Company.

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is an accomplished academic, researcher, and author recognized for his significant contributions to the fields of sociocultural anthropology, public health, and art history . His work bridges the gap between the historical legacies of colonialism and modern public health crises, particularly focusing on how socioeconomic structures impact vulnerable communities.

, researching the art of the British in India during the late 18th and early 19th centuries. Academic Roles : He has held teaching positions at the University of Sussex Birkbeck, University of London Workers' Educational Association Current Activities : He is a featured lecturer for The Arts Society , delivering programs such as " British Portraiture in India the-arts-society-peterborough.org.uk Research Interests & Expertise Visual Culture of Colonial India prasannajit de silva

(Attorney-at-Law) Action-oriented, Corporate, Analytical

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: Taught sessional courses aimed at expanding adult community education in art and visual history.

Suggested deliverables you can create once sources found His doctoral research focused intensely on the art

, this article analyzes 19th-century book illustrations of expatriate British domesticity. It examines the precarious self-definition of male colonists using illustrated texts that served as both manuals for new officials and propaganda for metropolitan consumption.

A romanticized vision of the late 18th century characterized by complete cultural integration, tolerance, and seamless inter-racial relationships.

De Silva analyzes the depiction of Indian women in British households, exploring the socio-political implications of these relationships on the portrayal of "colonial self".

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Paintings and prints depicting mixed-race families, which challenged the strict racial dichotomies later imposed by the late-Victorian British Raj. 3. Visual Culture as Historical Evidence

┌────────────────────────────────────────┐ │ Colonial Self-Fashioning Topics │ └───────────────────┬────────────────────┘ ┌────────────────────────────────┼──────────────────────────────┐ ▼ ▼ ▼ [Mixed-Race Families] [Portraits of "Bibis"] [British Households] Visual records of domestic How native mistresses were The mutating "English Self" and cultural integration. depicted in colonial art. adapting to a foreign land.

Following his doctoral research, de Silva established himself as a versatile educator in the United Kingdom. He specializes in lecturing on 18th- and 19th-century British art, bringing critical historic perspectives to modern students. His notable teaching appointments include:

Prasannajit de Silva pursued his advanced research at the , where he completed his doctorate in 2007. His doctoral thesis examined the art and visual materials generated by the British in India during the transition from the late Georgian era to the early Victorian period.