What made the 2011 repack indispensable to collectors was the inclusion of the Exquisite Corpse EP on the physical and digital deluxe tracking. Songs like , "Elephants" , and "Beetles" offer a rawer, more aggressive glimpse into the band's chemistry.
When Warpaint released The Fool in October 2010, it was met with critical acclaim for its sparse, psychedelic sound—a stark contrast to the garage-rock revival of the era. Produced by Andrew Weathers and mixed by Nigel Godrich (known for his work with Radiohead), the album featured standout tracks like “Undertow,” “Shadows,” and “Elephants.” Its core aesthetic was one of controlled unease: Emily Kokal and Theresa Wayman’s interwoven, breathy vocals, Jenny Lee Lindberg’s pulsating basslines, and Stella Mozgawa’s precise, uncluttered drumming. The original release, however, was deliberately lean—ten tracks that felt like a continuous, nocturnal ritual.
The 2011 repackaging often featured subtle mastering tweaks, ensuring that the moody basslines of Lindberg and the precise drumming of Mozgawa were felt even more acutely.
The 2011 Deluxe Edition isn't just a re-skin of the original album. It serves as an expansion of the The Fool universe, offering a deeper dive into the band's creative process and live energy during that breakthrough period.
The second disc appends the rare early material and fresh contemporary reinterpretations: warpaint the fool deluxe edition 2011 repack
By 2010, Warpaint had already attracted a significant buzz. Their ethereal live shows, hypnotic intertwined guitars, and post-punk rhythms earned them high-profile touring slots with major acts like . When their debut full-length album dropped, it didn't just meet expectations; it defined a new, haunting aesthetic for the indie rock genre.
Less than a year after the original's release, Warpaint unveiled a deluxe edition of "The Fool" on . This release was a 2-disc set, exclusively available from the Rough Trade webstore, offering fans an enhanced and comprehensive collection of the band's early work.
: It included the Neon Lights Remix of their breakout single "Undertow" and the Steve Mackey Radio Edit of "Billie Holiday".
Initially, the set was available exclusively through the Rough Trade Webstore before seeing a wider release, which also made its way to digital retailers. The physical release came as a and also saw digital distribution, representing an essential upgrade for fans who wanted more than just the original ten tracks. What made the 2011 repack indispensable to collectors
The album is celebrated for its "night-swimming aesthetic" and "dark, cobwebby feel". The production credits highlight a blend of high-profile collaborators: Tom Biller produced and mixed the core album in Los Angeles. Andrew Weatherall
While many 2011 indie albums sound dated, The Fool feels timeless because it avoids trendy synths in favor of pure guitar-and-drum interplay.
Originally released in late 2010, The Fool established the Los Angeles quartet—Emily Kokal, Theresa Wayman, Jenny Lee Lindberg, and Stella Mozgawa—as masters of a dark, "cobwebby" post-punk and psychedelic sound. The album was produced by Tom Biller, with critical mixing contributions from legends like and Adam Samuels.
Recommend from 2011 if you're looking for that specific vibe. Produced by Andrew Weathers and mixed by Nigel
He checked the back. The tracklist was scrawled in sharpie on the back insert, a tell-tale sign of a CD-R, or perhaps a promo copy that had escaped the label's clutches. Stars , Beetles , Elephants . The songs weren't just titles; they were landmarks of a hazy, narcotic summer he spent in a friend's basement, back when the future was a looming storm cloud they all ignored.
Break down the they used to get those specific tones. Which part of their sound interests you most?
The 2011 repackage earned widespread praise from music publications like Pitchfork and NME . Critics emphasized that bundling the EP with the debut album created a highly cohesive narrative arc.