The is extensively characterized by its prolific output, featuring over 1,200 tracks across numerous studio albums, mixtapes, and their signature Kill Yourself EP series. Founded in 2013, the duo—consisting of cousins Ruby da Cherry and $crim —has largely self-produced their catalog under $crim’s pseudonym, Budd Dwyer . Studio Albums The duo's major full-length releases include: I Want to Die in New Orleans (2018) Long Term Effects of Suffering (2021) Sing Me a Lullaby, My Sweet Temptation (2022) New World Depression (2024) Notable Mixtapes & EPs
Features more polished production and diverse sounds, including the "Kingdom Come" and "Atlantis" sagas. 2. The Breakthrough Mixtapes (2015–2017)
( New World Depression )
The discography of u i c i d e b o y is massive, consisting of five studio albums, dozens of mixtapes, and their signature Kill Your$elf
In 2017, the duo released the final ten sagas in batches. These projects showed a massive leap in production quality and vocal chemistry. Suicideboys Discography
Their fourth album, continuing their streak of high-charting releases. Thy Kingdom Come
| Year | Title | Key Info | | :--- | :--- | :--- | | | I Want to Die in New Orleans | Debut studio album; debuted at #9 on Billboard 200 | | 2021 | Long Term Effects of Suffering | Second studio album; peaked at #7 on Billboard 200 | | 2022 | Sing Me a Lullaby, My Sweet Temptation | Third studio album; topped the Top Rap Albums chart | | 2024 | New World Depression | Fourth studio album; featured their first Billboard Hot 100 entry "Us vs. Them" (US #96 ) | | 2025 | Thy Kingdom Come | Fifth studio album; debuted at #4 on Billboard 200 | The is extensively characterized by its prolific output,
The is a popular piece of streetwear typically featuring the album covers or names from the extensive Suicideboys discography on the back. It is often associated with the group's "Grey Day" tours and is sold through retailers like Etsy and various fan-merchandise sites. Key Pieces & Merchandise Options
The Suicideboys' early days were marked by a series of mixtapes and EPs that they released on their own imprint, Black $uicide Records. These early releases, such as (2014) and "The Grey Mobb EP" (2014), laid the groundwork for their signature sound, which blended elements of trap, drill, and horrorcore. These mixtapes were often rough-around-the-edges and lo-fi, but they showcased the duo's raw energy and creative potential. Their fourth album, continuing their streak of high-charting
Today, their catalog boasts billions of streams, multiple RIAA certifications, and an fiercely loyal fanbase. Whether you prefer the raw, lo-fi grit of their early SoundCloud EPs or the polished, stadium-ready production of their recent studio albums, the uicideboyu i c i d e b o y