For 17-year-old Kavya, that jingle is the first note of a symphony. She wakes on a cotton mat, the air thick with the smell of woodsmoke from last night’s chulha (clay oven) and the sweet, heady fragrance of jasmine from the pot by the door. Her grandmother, Ajji, is already awake, her silver hair a loose braid down her back, drawing a kolam —a geometric pattern made of rice flour—at the threshold. It is not just decoration. It is an offering. A prayer for prosperity, a meal for ants, a welcome for the goddess Lakshmi.
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