Yes - Close To The Edge -2013- -flac 24-192- Jun 2026

: Standard CDs use 16-bit audio, offering 96 decibels of dynamic range. A 24-bit file expands this to 144 decibels. This extra headroom allows the quietest acoustic guitar plucks and the loudest drum cracks to coexist naturally without digital compression.

Released in 2013 via Panegyric Records, the Steven Wilson remix of Yes’s landmark 1972 album, Close to the Edge

For audiophiles and music historians alike, this specific digital pressing is not just a reissue; it is an excavation of hidden musical architecture. The Perfect Storm: Yes in 1972 Yes - Close To The Edge -2013- -FLAC 24-192-

The original master tapes were recorded at Advision Studios in London, engineered by the legendary Eddy Offord. Offord’s production was revolutionary—capturing massive dynamic ranges, from the whispered sound of running water and birdsong to the cataclysmic organ blasts that shake the speakers.

Close to the Edge is the fifth studio album by English progressive rock band Yes, originally released in 1972. It is widely considered one of the greatest progressive rock albums of all time. The album consists of three tracks: : Standard CDs use 16-bit audio, offering 96

The sheer volume of sonic information routinely pushed 1970s vinyl and standard 16-bit/44.1kHz CD formats to their absolute limits, often resulting in a muddy mid-range where instruments fought for survival. Enter Steven Wilson: The 2013 Resurrection

Wilson’s philosophy was not to modernize the album with contemporary production tricks, but rather to clean up the analog clutter. By returning to the original multi-track master tapes, Wilson bypassed decades of tape-copy degradation. He corrected original panning errors, tamed harsh frequencies, and balanced the EQ. The 2013 stereo remix honors the intent of the original 1972 mix while utilizing modern digital precision to pull back the "sonic curtain" that had previously veiled the music. Why 24-Bit / 192kHz FLAC Matters Released in 2013 via Panegyric Records, the Steven

, offers a crystalline high-resolution experience. Available in FLAC 24-bit/96kHz (and often upsampled or sourced at 24/192) on Blu-ray Audio, this edition is widely regarded as a definitive modern sonic rejuvenation of progressive rock’s finest hour. Here is a feature breakdown of this acclaimed reissue. 1. The Sonic Revamp: Steven Wilson's Approach Clarity and Separation:

For a record as dense as Close to the Edge , the resolution matters. The jump from standard CD quality to 24-192 provides:

The 2013 release included both the new stereo remix and a 5.1 surround sound mix, catering to all types of audiophiles. 5. Why the 2013 Remastered Original Matters

Extends the frequency response far beyond human hearing, eliminating phase distortion and artificial filtering in the high end. This keeps Rick Wakeman’s Moog synthesizers and church organs sounding smooth and airy.