: Use simple drills to identify intervals (minor vs. major 3rds) or chord qualities (diminished vs. augmented) until they become instant.
Ear training—also known as aural skills—is the development of your musical ear. It's the ability to accurately recognize , imagine , remember , and notate musical sounds, and to read music notation with fluency. It's the skill that connects what you hear in your head to what you play with your hands. It helps you improvise, interact in a group, write music, and simply understand music on a deeper level.
The curriculum dives deep into the functional harmony of both major and minor keys. Students learn to recognize: I, IV, V, vi, ii chords.
For a broader view of Berklee’s ear training method, (Berklee Press, 2000) presents the entire Berklee ear training curriculum in one volume—covering rhythm, sight‑recognition, sol‑fà, and melody. Although it predates the current ET‑112 workbook, its exercises are still widely used by self‑taught musicians. ear training 2 berklee pdf top
This is the gold standard for atonal and tonal chromatic sight-singing. Many ET-2 courses use its early chapters for minor mode work. Check your local academic library’s digital access. It’s rare to find a free copy, but used copies are cheap.
Dictation is the act of writing down music simply by listening to it. In Level 2, dictation exercises become longer and more complex. Melodies will feature leaps across the tonic chord, step-wise motion through minor scales, and syncopated rhythms. Harmonic dictation will require you to chart chord progressions using Roman numerals (e.g., I - vi - ii - V). 4. Advanced Rhythmic Solfege
: When you can recognize intervals and chord qualities by ear, you can "land" your musical thoughts on your instrument without guessing. : Use simple drills to identify intervals (minor vs
The course aims to develop "relative pitch"—the ability to identify a pitch or chord based on its relationship to a established tonal center (the tonic). Core Pillars of the Curriculum
The course is chaired by Gilson Schachnik, a renowned Berklee professor and active keyboardist, and it is offered in Boston, Valencia, and online.
While a PDF gives you static exercises, apps provide randomized training, which is essential for genuine ear training. It helps you improvise, interact in a group,
Train your ear like a Berklee student—not by finding shortcuts, but by singing every single day. That’s the real PDF.
: The Berklee Ear Training 2 Workbook is the primary text for exercises in rhythm, melody, and intervals.
💡 The final exam in ET‑112 often includes a “perfect performance” requirement for sight‑singing. According to the syllabus grading rubric, an “A” performance must be “correct in intonation, rhythm, articulation, and style, done with confidence and without stopping”. Therefore, practice your sight‑singing until you can deliver it flawlessly in one take.